
Though saying that, unlike 'Baby Come Back' where the verses aimed to build to a tension relieving chorus, here Grant latches on to his tune from the off and hangs on 'till the end, ploughing the same furrow throughout with a tunnel vision that gives the overall impression of being dropped into the middle of something that is either one long series of verses without a chorus, or simply just one long chorus. Whatever, it soon grates and even an uncharacteristically (for reggae anyway) zippy guitar solo does nothing to raise the interest bar. The pissed off looking girl in the accompanying video provides the perfect response to Eddy's serenading and her bored and pained expressions review this better than a thousand words.
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